Ladies and Gentlemen, welcome to the first ever IRC Chat with TR-i. And now, please welcome, TR-i!
Are CD sales a valid measure of your influence?
It's been a long time since I've had a 'hit', if Pearl Jam is
the yardstick. But I've influenced enough people who have grown up to be CEOs
that I can get a lot of free stuff. Who needs more influence than that?
Which of your recordings would you redo, given
the chance?
Actually, I have the chance, and I'm redoing all of them.
Well, remixing them anyway for interactive purposes. Anything worth completely
redoing, I can't stand to be reminded of.
How do you produce an artist who doesn't
speak English?
As one would assume, an interpretor helps. Often you must
demonstrate what you mean rather than explain. And the most important tool- a
chef of the artist's native cuisine.
Was it Todd's or Andy P's idea to leave
"Dear God" off Skylarking?
"Dear God" was always part of my original running order. The
LP was deemed too long and something had to go. I essentially loathed "Another
Satellite" because it wasn't part of the concept. Andy loved it because it was
all Andy and he voted to boot DG because he was afraid of the reaction.
The AR dude at Virgin hated the little kid's voice, so I was essentially overruled.
Until there is a Skylarking without "Another Satellite" (and with "Mermaid Smiles")
it will remain an imperfect record for me.
What do you do
with all the poetry/lyrics you haven't recorded?
Same as I do with the music. Nothing because there isn't any.
I don't finish writing lyrics until the music is finished, and if I don't
finish the music it's because I don't like it and I record over it.
Is it true that absolutely every sound on
A Cappela was done with voices?
Except for handclaps and footstomps, everything is a vocal
sound. Of course, sometimes I have done something very peculiar to the sound.
I don't know if the FDA has some rules about the contents of music, but I
don't think I'm in violation.
How difficult is it to keep from
'over-Rundgrenizing' a production?
If there is such a thing as 'Rundgrenizing', then artists
must be aware that I am the sole purveyor of it and come looking for it.
Serves them right. I would never attempt to sell such a thing to someone who
wasn't asking for it.
What is the latest on the reworking of classic rock
albums to make them interactive?
We're moving on two fronts: produce a couple of high-profile
projects (like Brian Wilson's 'Smile'), and implement a method to utilize
existing CD's as the sound source. And as I've said, my whole catalogue is
being remixed. More later.
Will Utopia ever reunite?
I imagine that one day this R&R Hall of Fame thing will grow
so tired and thin that they'll be compelled to induct marginal bands like
Utopia. Maybe then we'll be in the same room together, but only because of the
arch silliness of it all.
Did something happen to the AWATS master tapes...did they
burn? Were they 16 track recordings?
AWATS is on about 5 2" 16 track masters.
We have yet to locate the one containing Zen Archer and a few
other things.
The last of the forensic evidence is not in so we don't have
a body yet
After nearly a year of The
Difference, are you still enjoying yourself?
Learning more all the time.
We have a chance to skew the playlist more towards my
tastes.
It seems that it's strangely coincident with what's 'hip' in
radio
I haven't heard a one, yet. Not in our market!
The Diff doesn't air in the Bay area either.
KFOG, the likely client, is too successful for syndicated
programming.
How 'bout The Diff - Real Audio or the Net?
I can barely comprehend speach in RA, let alone music. Not yet.
How'd the MC gig at the Billboard Video Music Awards show go?
Swimmingly! Got to hang with Jill Sobule & Skee-lo.
Since Jesse Helms is running for reelection, what are the
chances of a studio versio of "Jesse" for the use of the competition?
Personally, I'd rather just bitch-slap the old fart to the
ground and be done with it.
The music for Up Against It was quite a departure from your
"norm". How did it come about? "Todd, here's a play we need music for?" and
you sat down and "The Smell of Money" came out?
I like that- the smell of money came out.
Actually, there was no money involved.
The New York Public Theater, who commissioned the work,
is non-profit, or rather hoping to make a profit so it
doesn't have to go begging.
It was a chance for me to explore the music of my youth,
the only kind my dad would allow in the house.
Did it come
out that "Gilbert and Sullivan" by accident or on purpose?
Knowing about G&S was my way of being a smartass.
Have you heard of the Internet-based musical group,
"The Hub"? If so, do the goals of the In[tr]active Music Forum parallel in
any way?
I must as yet plead ignorance of the Mighty Hub
but would certainly welcome them to exploit the forum in
their quest for cyber-stardom.
By the way, C'serve says to tell ya that there's some kind of
free 'get acquainted' thing.
But I don't remember the number.
do!
Regarding Open My Eyes on the Tribute cd,
what would it take for you to consider working with a non-Label talent?
At the Canadian Music Week show in Toronto about 6
months ago, you mentioned that the computer is obviously not the ideal place
for music interaction. How will the experience move from the computer to the
CD player/stereo?
Who (or what) has been a major musical influence for you?
What are the chances of additional shows in the Bay
area? Is it exhausting to tour?
Are your Badfinger tracks in the running for the
interactive treatment?
There has been much discussion on the list about your
reluctance to include biographical data on the CD-e.
Who are some of your *visual* influences? Artists,
filmmakers...
Do you plan a
festive set for New Years?
Where's PP for the New Year's Shows?
Some of your songs have great bass lines (ie, Bang the
Drum). Do you start to write songs with a bass line in mind?
I'm especially interested in knowing how you came to
write Healing, Parts I-III. It's such an inspirational piece of work. So
many of your fans cite it as some of your best work!
[On the CDe for "Cast The First Stone"]
who is the other character besides Rush and Buchanan?
Fascist Christ has some really interesting sounds under
surround/pro-logic. Do you specifically record for surround?
Is it true that you sold your royalty rights for "Bat out of
Hell"? What was your motivation to give up the cash cow?
How do you see the role of MIDI in music. A blessing
or a curse?
How about a source for the words to "Chakras"?
You've experimented in a lot of musical genres, any
inclination to do something more classical or orchestral in nature?
What led you to give up stage guitar amps lately in favor of
direct into the PA?
And those of us who prefer to see you up close and
personal can't hear a damn chord!
Todd, you've been at it this "music thing" for a quite
sometime, do you ever find yourself with "writers block"? And if so, how do
you get around it?
So, the piano is your nemesis, not the guitar!
Whatever happened to Kevin Ellman? I thought his
drumming was impeccable.
What did you think of his drum style?
Who's the blond mustachioed bass player in one of the nazz videos (Not Wrong
Long?) It doesn't look like Carson.
What potential do you see in realtime group
interactions on the internet?
Tortured Artist and Hermit are wonderful. Can we have a
clue as to your inspiriration on these?
Who is "Mason" credited on Utopia Theme...one of your few
collaborations?
How long does it take to create a computer animated video
piece like "Theology"?
I think the drugs are wearing off...
it's time to leave the love-in.
Let's do it again sometime. Meanwhile, check out the IMUSIC
forum...
the first taste is free, just like real drugs!
Partaaay!!
Aloha!
For those of you who haven't yet explored the
In(TR)active Music Forum on CompuServe and would like to do so, just call
1-800-550-5335 and ask for the "Todd Rundgren CompuServe Kit". You'll get a
customized TRi membership kit which includes a 30 day trial with 10 free hours during the trial period.
End of commercial.
Why haven't you been on Dave Letterman?
I was just on the set the other day when the Chili Peppers
were rehearsing,
so I was kind of 'on' the show, if you count on the set.
Ah, working is the operative word. Playing I do for
free.
Perhaps something like a Playstation or Pippin
would have the stones to bridge the gap.
High-band connectivity into the living room could come just
as soon.
Psychedelics.
There goes my presidential bid.
Beyond New Years, we have no plans. We haven't planned not to
either. It's exhausting just thinking about it.
Possibly, but not a priority.
Biography is an attempt to market the mystical...
usually rendering the mystical mundane and valuless.
Fellini is probably my favorite director.
Currently I'm reexamining the late 50s/Cold War/Beat era
as somewhat evidenced in the Individualist.
Everything zen, you know.
Chicago will be as festive as we can remember to make
it.
Prarie's out with the Tubes. They got first crack I guess.
Bass been berry berry good to me.
I think that I would as much enjoy playing bass
(had I an iota of technique) as guitar.
Fortunately, the miracle of modern electronics makes up for
my shortcomings.
Healing was an experiment in theraputic environmental music.
I'm not sure extactly how it can be most effectively administered...
but ideally there are no unpleasant side-effects...
and I don't think it's habit forming.
That's the Right Reverend Robert Tilton.
I haven't heard the record under surround conditions.
It's probably me not paying attention while I'm mixing
and screwing up the phase.
Cows get old and their milk starts to taste funny.
A blessing to musicians who have a real grasp of the
possibilities.
A curse because it empowers the competition.
Charkra means wheel in hindu. Check out books by Rev.
Leadbeater wherever fine Theosophical tomes are sold.
I was musing about orchestrations the other day.
I think I resolved that it's for when I'm older and desperate
for something to exploit.
I use wireless ear monitors, so I wouldn't hear the amp
anyway.
Besides, the sound man loves me for it.
Good point. Maybe we should rent ear monitors.
I have a weird writing style.
I figure that if I remain calm
and don't run to the piano everytime something comes to me
then I won't run out of ideas before my children have to
support me.
You're right. I've got to stay away from that guitar, too.
Kevin Ellman went on to manage the Beefsteak Charlie's Chain
of fine family dining establishments.
Kevin was hella-funky. But the funkiest was John Siomos, who
decided to play with Frampton instead.
That blond mustachioed fella was our engineer who filled in
because Carson quit. I'm not even sure that's me in the video.
The net, as we have just demonstrated, is the world largest
digital delay.
I don't envision any real-time anything on the net...
and that's why we like it!
If I had a clue I'd give it to ya. I'm still trying to
buy a vowel.
The original Utopia keyboardist was a guy named Dave Mason...
not the one you're thinking of.
In the case of the Theology, years. We must have made it 6
times and it's still not finished.